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I visualize this timing most likely developed throughout the Palladium period however I haven't confirmed that. Eddie Torres began teaching and promoting this timing start in the 1980's, from what I recognize. He was mentored by the late June Laberta, a ballroom dancing instructor, who aided him create his method and timing.
The story I'm constantly told here, that still calls for additional investigation, is that as salsa began reaching new audiences beyond the Caribbean and New York City, it was easier and much more intuitive to educate social outsiders to dance On1 rather than On2. This story does not account for the fact that I have actually heard Rueda de Casino was initially danced a tiempo On3 in Cuba.
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Salsa On1 is simply one of various salsa timings you can dance to and it is the most typical timing you'll locate on the planet today. Salsa On1 timing interpretation: "On1" indicates you start dancing on the initial beat of the bar of songs the 1. Your break steps (instructions changes) are on beats 1 and 5.
The exceptions I've located so much, where On2 is most common, would certainly be around New York and in South Korea (Salsa San Francisco). I'm certain there are various other locations that dance primarily On2 yet I haven't danced in every country! If you're not certain what timing is most common where you live, ask your regional dance studio
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When somebody says "I dance salsa On1" they probably imply "I dance direct design salsa On1" (although you can dance any type of design of salsa On1, individuals normally mean straight design). Do not worry if you have actually claimed these points before, it's all great we all have! The vital thing is to bear in mind there's a difference in between style and timing and deepen your understanding so you can be a lot more exact when talking concerning salsa with your buddies.
It links nicely with the wording in the songs, especially the piano, and other percussion instruments like the cow bell and giro. Timing and style are 2 different things, so different the ideas when you speak concerning salsa with your close friends. No matter of what timing is most typical in your area of the globe, remember you can technically dance any kind of design of salsa to any timing check out and appreciate!
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Although there is an original mambo dancing that came from Cuba and after that spread out to Mexico and New York in the 40s and 50s, these days when someone states "I dance mambo" they mean salsa On2, which is different than the original mambo dance. The erratic free-from steps of the initial mambo were danced solo.
As the dancing started to spread, On1 timing started to come to be preferred. Salsa On2 interpretation: "On2" implies you begin dancing on the very first beat of the bar of songs the 2.
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A lot of dancers take pleasure in dancing On2 for the varied means you can connect to the songs. Son cubano is the music and dancing that came before mambo and salsa.
It links well to the clave, bass and conga - Salsa Dance San Francisco. Cha-cha is much like dance On2 contratiempo yet you include the triple step on 4 and 8. Danced to the very same beats as On1, your break actions are now on 2 and 6, which alters the feeling of the dancing.
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It links well with the conga and cowbell. https://dance-fridays-44832059.hubspotpagebuilder.com/dance-fridays/salsa-and-bachata-dance-in-san-francisco-dance-fridays-unleashes-the-rhythm. This timing is practically identical to contratiempo On2 but the actions that are typically on 4 and 8 are on 4. 5 and 8. 5 instead half a beat later, which lines up with the syncopated tone of the conga. It's nearly like a timing in between a tiempo and contratiempo.
5 instead of 5) you're dancing this syncopated timing. In truth it seems it's often danced as kind of a "mistake" for anybody dancing the previous 2 timings.
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No matter, individuals speak anchor about it so here it is (https://justpaste.it/b4kzw). As pointed out previously, this was the first interpretation of dancing on clave (son clave), where the Puerto Ricans would straighten their front break with the 2-side of the clave rhythm while dancing On2 contratiempo. They referred to it as "dancing on clave" as it was before individuals described it as "dancing On2." The concept is to line up as many steps of your basic as possible with the strikes of the child clave.
Things about music and dancing is that there is no right or wrong. There is just interpretation. You can dance on any timing you like! Naturally, individuals have found a way to dance on almost every timing possible to child and salsa music. Individuals dance On3 for the same factor you dance On1 since it highlights the solid beats of 1-3-5-7.
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Allow's look at the beats you dance On1 to: -2-, -6- (strong beats remain in vibrant) Let's take a look at the beats you dance On3 to: -4-, -8- (solid beats remain in vibrant) Notice exactly how the solid beats are spaced specifically the same for On1 and On3? All you do is begin tipping On3 rather than On1.
That's why dance On3 is so common in Latin America. People either Try to dance On1 however start stepping On3 by mishap and it exercises simply penalty, or They do not know much about timing and are just translating what they listen to in the music, based on their experience growing up in a society with salsa.